Great Jazz Albums (IMO) #24

Ella Fitzgerald.  Clap Hands, Here Comes Charlie (1961).  The rap on Ella Fitzgerald was that she couldn't sing the blues.  Maybe not, but she was probably the greatest interpreter of what has come to be known as the Great American Songbook.  The Songbook series of recordings is essential listening; her live albums are remarkable, especially the classic Ella in Berlin, and the albums in which she is paired with Louis Armstrong are fun.  But when I feel like listening to Ella, my go-to album is Clap Hands, Here Comes Charlie.  In a small combo setting (piano, guitar, bass, drums), she swings, scats, and settles down for some lovely ballads too.  Highlights include, but are definitely not limited to, A Night in Tunisia, Stella By Starlight, Jersey Bounce and The Music Goes Round and Round.

[Related posts:  Really Great Jazz Albums,  #1 (Hank Mobley); , #2 (Horace Silver), #3 (Sonny Rollins), #4 (Sonny Clark), #5 (Dexter Gordon), #6 (Cannonball Adderley), #7 (Bill Evans), #8 (McCoy Tyner), #9 (Clifford Brown), #10 (Sinatra), #11 (Monk), #12 (Kenny Dorham), #13 (Coltrane), #14 (Duke Ellington), #15 (Miles Davis), #16 (Wayne Shorter), #17 (Dinah Washington); #18 (Sarah Vaughan); #19 (Stan Getz); #20 (Blue Mitchell); #21 (Gene Ammons); #22 (Art Blakey and the Jazz Messengers); #23 (Red Garland)]